Natalia Goncharova first painted the subject of the Spanish dancer in 1916, while touring Spain as a set and costume designer with Sergei Diaghilev’s traveling ballet company, the Ballets Russes. In ...
David Wojnarowicz was identified by The New York Times critic, Michael Kimmelman, in 1992 as “one of the most influential artists of the 1980s.” Wojnarowicz first emerged in the context of the brash ...
In 1893, three years after buying property at Giverny, Claude Monet began transforming the marshy ground behind his home into a pond, on the narrow end of which he built a Japanese-style wood bridge.
The Art Institute of Chicago was founded as both a museum and school for the fine arts in 1879. Since then, the permanent collection has grown from plaster casts to nearly 300,000 works of art in ...
This sculpture by Chauncey Bradley Ives presents a character from the Old Testament book of Judges. An Israelite leader engaged in war against the Ammonites, Jephtha made a promise to God that if his ...
Constructed of dense, thick layers of paint, Cabin in the Cotton exemplifies the tactile and vivid style of selftaught artist Horace Pippin. At a southern homestead, an older woman cares for a young ...
Focusing on progressive thinking and practice across all design disciplines, the Art Institute’s Department of Architecture and Design comprises more than 250,000 objects dating from the 1870s to the ...
Following the example of the revolutionary early seventeenth-century artist Michelangelo Merisi da Caravaggio, Bartolomeo Manfredi chose to depict ordinary individuals in his scenes from the Bible and ...
The Ryerson and Burnham Libraries constitute a major art and architecture research collection of print titles, auction catalogs, serial subscriptions, and extensive digital collections. The Ryerson ...
This unique and elegant venue offers main-floor and balcony-level seating and is the perfect setting for an evening of dinner, entertainment, and amusement. Set a traditional stage for a stand-up ...
This ivory statuette with its gangly Christ Child and rather plain-faced Virgin seems far removed from the aristocratic figures produced in Paris, which was a great center for the production of Gothic ...