阎连科

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1.	yan 高林莉的收听 - tvb.com微博 - tvb.com ... 刘亚津( liuyajinvip) 阎连科( yan_lianke) 何振红( zhenhong_he) ... t.tvb.com\|基于3个网页

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1.

Bakhtin's feelings of the world is carnival , but behind Yan Lianke's carnival in the surface is the deep sense of tragedy and absurdity.

巴赫金对世界的感受是狂欢，而阎连科在表层狂欢书写的背后隐藏着深沉的悲剧意识和荒诞感。

2.

There is no doubt that the second half of the twentieth century rural China , is led by Yan LiankeHeartaround the place again .

毫无疑问，二十世纪后半叶的乡村中国，是阎连科梦魂牵绕又痛彻心脾的地方。

3.

Yan Lianke displays different carnival scenes from Bakhtin, and the main difference comes from the different carnival sense of the world .

阎连科文本展现了与巴赫金不同的狂欢风景，主要差异源于二者不同的狂欢化世界感受。

4.

Lianke, a native of Henan Province, plays with farce and satire and allegory as he spins his dark tale .

阎连科，河南人，在他的黑色故事里不时穿插滑稽、讽刺和暗喻。

5.

As a contemporary outstanding writer , Yan lianke's exploration on the Novels ' art structure has great value on the narrative aspect.

阎连科作为当代文坛上极其优秀的作家，他对小说艺术结构的开掘在叙事学上有很大价值。

7.

Yan Lianke committed local novels , especially "Yao ditch Series " and "Palou Series" novels for the literary attention .

阎连科致力于乡土小说创作，尤以 “瑶沟系列 ”和 “耙耧系列 ”小说为文坛所瞩目。

9.

Chapter three attaches much importance to Yan Lianke's limitation caused by the complex relationship with lands .

第三章重点研究阎连科作为一个作家，他与土地的复杂关系造成的自身局限。

10.

The second chapter focuses on the carnival creative art thinking way in Yan's novels .

第二章着重论述了阎连科长篇小说创作艺术思维方式的狂欢化。

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